From Bauhaus Minimalism to Beirut: Eva Szumilas’ Sculptural Design


Portrait of the interior designer, against a ribbed white backdrop

people • MAKERS

Eva Szumilas is a Polish-Lebanese designer whose multidisciplinary practice blends Bauhaus minimalism with luxurious, sculptural design. Based in Beirut, her studio beautifully merges the structural clarity of Bauhaus interiors with the tactile materials and vibrant cultural influences of the Middle East, creating poetic interior design that is both soulful and enduring.

Holding a master’s degree in architecture, Eva’s approach balances structural precision with emotionally resonant storytelling and exceptional craftsmanship. Each creation, whether bespoke cabinetry, residential interiors, or collectible objects, carries a unique narrative and a powerful sense of place. Her collections draw deeply from her experiences across Poland, Cyprus, Ireland, and Lebanon, shaping a distinctly cross-cultural and deeply personal design language. Collaborating closely with master artisans, she integrates traditional techniques into contemporary forms, resulting in timeless yet innovative pieces.

Eva’s work has been internationally acclaimed, featured in leading publications including Architectural Digest, Taschen, Harper’s Bazaar Arabia, and Wallpaper. Her studio remains dedicated to refined materials, functional sculpture, and spaces that resonate emotionally and spatially. At its core, Eva Szumilas Studio crafts interiors where form follows feeling—slow, intentional, and rich with character. In this interview, discover how Eva Szumilas translates emotions and memories into tangible, elegant designs.

 


 

Words: designeers
june 2025

WEBSITE: evaszumilas.com
INSTAGRAM: @evaszumilas

DESIGNEERS

Your journey spans Poland, Cyprus, Ireland, and now Beirut. How have these diverse cultures shaped your design sensibilities?


Eva Szumilas

Each place I’ve lived, Poland, Cyprus, Ireland, and now Lebanon, has layered new dimensions onto my design language. Poland gave me an early exposure to post-communist brutalism and the understated logic of Bauhaus minimalism, deeply influencing my appreciation for Bauhaus interior principles. Lebanon added boldness, richness, and contrast. I design in dialogue between structure and sensuality, minimalism and warmth, nostalgia and modernity. My identity is hybrid, and so is my aesthetic. 


DESIGNEERS

After years in architecture, what inspired you to transition into furniture and product design? 


Eva Szumilas

Architecture felt too slow. I craved immediacy. Furniture and object design gave me momentum, ideas made tangible faster. I also love the intimacy: seeing people live with a piece I made. Working with artisans brings emotional depth. Each object becomes part of my autobiography, expressed through wood, stone, and metal.

 
 
 
Wood and velvet chair with sculptural donut backrest in grey and rounded walnut legs with brass studs

Galaxy Chair

Wooden side table with geometric zigzag legs and round bowl-shaped base topped with glass surface highlighting sculptural design

Sensu Wood Side Table

 
 
 

DESIGNEERS

You describe your work as a blend of poetry and functionality. Can you elaborate on how you achieve this balance in your designs? 


Eva Szumilas

Every design begins with an emotion or memory. That’s the poetry. But I deeply believe in the Bauhaus principle: form must follow function. Even my most sculptural pieces are grounded in proportion, comfort, and usability. The work must serve the body and the soul. 


DESIGNEERS

You utilise noble materials and advanced craftsmanship techniques. Can you discuss your approach to material selection?


Eva Szumilas

Materials guide my process. I'm drawn to permanence—stone, wood, and metals like cast aluminium—and have always gravitated towards tactile materials, choosing pieces based on their texture, temperature, and emotional resonance. I collaborate closely with artisans and often let material challenges guide the final form.


DESIGNEERS

Your “Gong Cabinet” won the prestigious A’ Design Award. What was the inspiration behind this piece? 


Eva Szumilas

It came from a dream, travelling through the Far East. The gong as an object has rhythm, power, and spirituality. I wanted to design something that felt both grounded and elevated. The piece embodies sculptural design, balancing calmness with expressive forms—a meditation in form and material.

 
 
Back detail of the Galaxy Chair in black and gold with bauhaus minimalism and curved sculptural lines

Galaxy Chair

Gong Cabinet in open position showing semi-circular wooden doors and interior shelves inspired by poetic interior design

Gong Cabinet

Front view of Galaxy Chair with cream velvet upholstery and black legs showcasing tactile materials

Galaxy Chair

 

“Collaboration is central to my process. I’m constantly learning from artisans, some with generations of knowledge in their hands.”

Eva Szumilas

 
 
 

DESIGNEERS

Your studio handles projects ranging from high-end residential to hospitality design. How do you tailor your approach to meet the needs of each sector? 


Eva Szumilas

Residential design is intimate. It reflects lifestyle, memory, and routine. Hospitality is about atmosphere and flow. In both, I listen first. Then I offer concepts that are emotionally resonant but bold. Whether personal or public, I aim to create spaces that feel intentional and timeless. 


DESIGNEERS

Who is your favourite design icon, and how have they influenced your work? 


Eva Szumilas

Le Corbusier for his vision of society. Zaha Hadid for strength and fluidity. Charlotte Perriand for instinctual elegance. Carlo Scarpa for detail, Neutra for harmony, Rick Owens for raw sculpturalism, and Ingo Maurer for poetic risk. Their work reminds me that design can be both grounded and transcendent. 

 
 
 
Bespoke black wooden cabinet with gold linear inlays and rounded ends illustrating functional sculpture

X Cabinet

Opposite side of black bespoke cabinetry with directional gold arrow detailing referencing bauhaus interior principles

X Cabinet

 
 
 

DESIGNEERS

What is your favourite hotel in the world?


Eva Szumilas

Palazzina Grassi in Venice, designed by Philippe Starck. It’s theatrical yet rooted; Venetian elegance meets surrealism. Mirrored walls, Murano glass, seductive palettes. It feels like living inside an artwork. 


DESIGNEERS

If you could design any space in the world, what would it be and why?


Eva Szumilas

A home just for me. A manifesto in space, experimental, sensual, and authentic. A sanctuary that holds all of my design principles, free of compromise. That would be my dream. 

 
 
 
Travertine cabinet with circular fluted doors partially opened to reveal oak-lined interior shelves combining clean lines and tactile materials

Sensu Wood Cabinet

 
 
 

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